My journey into the world of “42nd Street” began unexpectedly, sparked by a vintage CD featuring Ruby Keeler’s rendition of the titular song. Little did I know, this serendipitous discovery would lead me to a film that has not only captivated me but has also cemented its place as a cornerstone of musical cinema. My initial purchase, driven by a single song, blossomed into a deep appreciation for a movie that epitomizes the dazzling spectacle of Depression-era Busby Berkeley musicals, a genre often graced by luminaries like Ruby Keeler, Joan Blondell, Dick Powell, and the effervescent Ginger Rogers.
What immediately strikes you about “42nd Street,” especially considering its 1933 release, is its surprisingly risqué undertones. From Ginger Rogers’ unforgettable character “Anytime Annie,” a name that speaks volumes, to the subtly suggestive scene on the train where Ruby Keeler’s character gets her shoes shined, the film playfully pushes the boundaries of its time. However, the film’s allure extends far beyond its cheeky charm.
Warner Baxter delivers a tour-de-force performance as Julian Marsh, the demanding director teetering on the precipice of ruin, his fate inextricably linked to the success of his new musical, “Pretty Lady.” His final scene is a masterclass in nuanced acting, leaving a lasting impression of both triumph and profound weariness. George Brent embodies the suave and devoted Pat Denning, entangled in a complex relationship with “Pretty Lady’s” star, Dorothy Brock. A young and vibrant Dick Powell shines as Billy Lawler, the show’s charming juvenile lead, whose heart is set on the innocent chorus girl, Peggy Sawyer, showcasing his impressive vocal talents. Bebe Daniels is radiant as Dorothy Brock, the dazzling diva juggling her affections between her wealthy benefactor, Abner Dillon, and her true love, Pat Denning. Daniels not only embodies the glamour of the 1930s but also reveals a depth of emotion, particularly in her poignant crying scenes, all while adorned in a breathtaking wardrobe.
Alt text: Bebe Daniels, portraying Dorothy Brock in 42nd Street, exudes 1930s glamour in a promotional still, highlighting her elegant wardrobe and captivating screen presence.
At the heart of “42nd Street” is Ruby Keeler as Peggy Sawyer, the chorus girl who ascends to stardom overnight. Keeler’s performance is nothing short of enchanting. Her petite stature, wide, expressive eyes, and fresh-faced appeal perfectly capture the ingenue quality of Peggy. She makes the iconic “42nd Street” number her own, injecting it with youthful exuberance and showcasing her distinctive dance style. While some critics have been less kind to Keeler’s dancing, labeling it as awkward, it’s crucial to consider the context. Her character is, after all, a newcomer thrust into the limelight. Her choreography cleverly blends raw talent with a touch of endearing clumsiness, reflecting Peggy’s journey. Keeler’s tap style, unlike the airy grace of Fred Astaire, is grounded and rhythmic, each tap resonating with earthy energy. Her cheerful singing and innocent charm paved the way for future ingenues, echoing in performances like Debbie Reynolds in “Singin’ in the Rain.”
Alt text: Ruby Keeler energetically tap dances in 42nd Street, demonstrating her unique and rhythmic style that brought Peggy Sawyer to life and made the “42nd Street” number iconic.
Yet, beyond the central characters, “42nd Street” boasts scene-stealing supporting performances from Una Merkel and Ginger Rogers as Lorraine and “Anytime Annie,” respectively. This duo provides much of the film’s comedic spark. Their on-screen chemistry is electric, portraying wisecracking, worldly friends with impeccable timing. Merkel’s Lorraine, with her pursuit of Andy and striking platinum blonde hair, and Rogers’ Annie, with her playful promiscuity and surprisingly adept British accent (complete with a monocle!), are unforgettable.
“42nd Street” is more than just a musical; it’s a vibrant snapshot of the 1930s, capturing the anxieties of the Depression era while offering an escapist fantasy through dazzling song and dance. Busby Berkeley’s kaleidoscopic choreography is groundbreaking, transforming chorus lines into intricate geometric patterns and visual spectacles that were revolutionary for the time. The music itself is infectious, filled with memorable tunes that stay with you long after the credits roll.
For any devotee of musicals, “42nd Street” is not just a recommendation; it’s essential viewing. It’s a 10/10 masterpiece that encapsulates the magic of Hollywood’s Golden Age, a film that promises to enchant and uplift with every viewing. Immerse yourself in the sounds of 42nd Street, and you’ll discover a timeless classic that continues to resonate with audiences today.
