John Carney, the acclaimed writer and director behind music-infused films like Once and Begin Again, once again strikes a chord with Sing Street. This 2016 film is a delightful coming-of-age story set in 1980s Dublin, skillfully weaving together the decade’s iconic music with the universal struggles and triumphs of adolescence. For anyone who finds themselves groaning at the mention of 80s music, Sing Street might just change your tune.
The film opens in 1985 Dublin, amidst economic hardship. We are introduced to Connor, portrayed by Ferdia Walsh-Peelo, as he learns of his parents’ decision to transfer him from a comfortable prep school to a more challenging inner-city school due to financial constraints. This new environment is fraught with bullies and strict teachers, instantly throwing Connor into a world of discomfort and uncertainty.
Seeking solace and a way to impress the enigmatic and alluring Raphina (Lucy Boynton), an “older” girl he admires, Connor impulsively claims to be in a band and invites her to star in their music video. Raphina agrees, setting in motion Connor’s frantic yet earnest endeavor to actually form a band. This spontaneous decision marks the beginning of “Sing Street,” both the band and Connor’s journey of self-discovery.
Two central relationships anchor the film: Connor’s connection with Raphina, the muse behind his musical aspirations, and his bond with his older brother Brendon (Jack Reynor). Brendon acts as Connor’s mentor and musical guide, introducing him to the vibrant world of 80s music videos and artists like Duran Duran and The Cure. The film cleverly showcases Connor’s transformation as he imitates the styles and sounds of these iconic bands, creating a visually and audibly engaging experience.
Interestingly, Sing Street portrays Connor’s initial foray into music as less about a deep-seated passion for music itself and more as a means to win Raphina’s affection. However, the film subtly evolves into a narrative about finding one’s passion, or as the movie terms it, “vocation,” as a way to navigate and overcome personal challenges. While teenage angst often revolves around the feeling of powerlessness to change external circumstances, Sing Street suggests that self-improvement and finding purpose are within reach.
Carney’s direction subtly nods to the heartwarming styles of John Hughes and Cameron Crowe, adding a layer of romanticism and nostalgia. The film boasts original songs, most notably the incredibly catchy “Drive It Like You Stole It,” which perfectly encapsulates the energy and spirit of the 80s. With its humor, sweetness, and genuine heart, Sing Street is a feel-good movie that resonated strongly with audiences and continues to gain appreciation through word of mouth. It’s a testament to Carney’s ability to create films that are not just musicals, but deeply human stories amplified by the power of music.
