Sesame Street has been a cornerstone of children’s television for generations, and music has always been at its heart. From catchy tunes to heartwarming ballads, Sesame Street Songs have educated and entertained children and adults alike. Now, these beloved classics get a fresh, jazzy twist in a new album featuring the renowned Jazz at Lincoln Center Orchestra with Wynton Marsalis. This tracklist unveils a vibrant reimagining of iconic Sesame Street songs, showcasing their timeless appeal in a sophisticated new style.
Track-by-Track Breakdown of Sesame Street Songs in Jazz
This album isn’t just a collection of children’s songs; it’s a celebration of musicality, cleverly weaving the playful spirit of Sesame Street with the intricate artistry of jazz. Each track offers a unique take on familiar tunes, making them enjoyable for both longtime Sesame Street fans and jazz aficionados.
1. Sesame Street Theme
The song that started it all! The “Sesame Street Theme” is instantly recognizable, and this jazz arrangement breathes new life into the iconic melody. Featuring Matthew Vogel (Big Bird), Ryan Dillon (Elmo), and Leslie Carrara-Rudolph (Abby Cadabby), this version sets the stage with a lively and swinging introduction to the album, immediately signaling this isn’t your typical children’s music record.
2. Rubber Duckie
“Rubber Duckie,” Ernie’s ode to his favorite bath toy, gets a smooth jazz makeover. Peter Linz as Ernie brings his signature charm to the vocals, while Chris Crenshaw’s arrangement adds layers of instrumental depth, transforming this simple song into a delightful jazz piece.
3. It Feels Good (When You Sing a Song)
This upbeat and joyful tune, “It Feels Good (When You Sing a Song),” is perfectly suited for a jazz interpretation. Christopher Thomas Hayes (Hoots the Owl) and Ryan Dillon (Elmo) lend their voices to this rendition, driven by Marcus Printup’s vibrant arrangement that makes you want to tap your feet and sing along.
4. Sing After Me
“Sing After Me,” designed to encourage participation and learning, is given a playful and engaging jazz treatment. Leslie Carrara-Rudolph (Abby Cadabby) and Matthew Vogel (Big Bird) guide listeners through this interactive song, enhanced by Victor Goines’ arrangement that emphasizes rhythm and melody.
5. One of These Things
“One of These Things,” with its educational message about identifying differences, becomes a showcase for instrumental talent. Eric Jacobson (Oscar the Grouch), Peter Linz (Herry Monster), and Carmen Osbahr-Vertiz (Rosita) deliver the vocals, but the spotlight truly shines on the impressive solos from Kenny Rampton, Marcus Printup, Elliot Mason, Janelle Reichman, Victor Goines, and Chris Crenshaw, demonstrating the improvisational heart of jazz.
6. Elmo’s Song
“Elmo’s Song,” a sweet and simple tune dedicated to everyone’s favorite furry red monster, is elevated by a special guest. Ryan Dillon (Elmo) performs the vocals, and Wynton Marsalis himself contributes a memorable trumpet solo in Kenny Rampton’s arrangement, adding star power to this already charming track.
7. I Don’t Want to Live on the Moon
“I Don’t Want to Live on the Moon,” Ernie’s wistful ballad about appreciating home, is transformed into a rich and emotive jazz piece. Peter Linz (Ernie), Leslie Carrara-Rudolph (Abby Cadabby), and Matthew Vogel (Big Bird) share vocal duties, while solos from Victor Goines, Elliot Mason, Sherman Irby, and Wynton Marsalis provide layers of instrumental texture and feeling.
8. Put Down the Duckie
“Put Down the Duckie,” a humorous and slightly chaotic song, gets a lively and energetic jazz interpretation. Peter Linz (Ernie) and Christopher Thomas Hayes (Hoots the Owl) bring the comedic timing, and Carlos Henriquez’s arrangement, featuring solos from Ted Nash and Sherman Irby, captures the song’s playful spirit with a jazzy edge.
9. Ladybugs’ Picnic
“Ladybugs’ Picnic,” a whimsical and gentle song, becomes a delicate and charming jazz number. Matthew Vogel (The Count), Leslie Carrara-Rudolph (Abby Cadabby), and Carmen Osbahr-Vertiz (Rosita) create a lighthearted atmosphere, and Sherman Irby’s arrangement, with solos from Wynton Marsalis and Vincent Gardner, evokes the imagery of a sunny picnic with ladybugs.
10. People in Your Neighborhood
“People in Your Neighborhood,” celebrating community helpers, is given an upbeat and swinging jazz treatment. Carmen Osbahr-Vertiz (Rosita), Ryan Dillon (Elmo), Matthew Vogel (Mr. Johnson), and Leslie Carrara-Rudolph (Abby Cadabby) bring the song to life, and Ted Nash’s arrangement makes it an infectious and toe-tapping tribute to everyday heroes.
11. Pinball Number Count
“Pinball Number Count,” famous for its funky and rhythmic approach to counting, is amplified in this jazz rendition. Matthew Vogel (The Count) leads the countdown, and Carlos Henriquez’s arrangement, highlighted by solos from Wynton Marsalis and Paul Nedzela, turns this educational song into a high-energy jazz explosion.
12. Believe in Yourself
“Believe in Yourself,” an empowering and encouraging anthem, receives a soulful and uplifting jazz interpretation. Eric Jacobson (Grover), Leslie Carrara-Rudolph (Abby Cadabby), and Ryan Dillon (Elmo) deliver the positive message, and Chris Crenshaw’s arrangement, featuring a solo from Sherman Irby, adds a layer of warmth and inspiration.
13. Sing
“Sing,” a universal call for harmony and togetherness, closes out the album with a grand and joyful finale. Featuring a large ensemble cast including Ryan Dillon (Elmo), Leslie Carrara-Rudolph (Abby Cadabby), Carmen Osbahr-Vertiz (Rosita), Christopher Thomas Hayes (Hoots the Owl), Peter Linz (Ernie), Eric Jacobson (Bert), and Matthew Vogel (Big Bird), and Ted Nash’s arrangement, this rendition becomes a powerful and moving testament to the unifying power of music.
The Jazz at Lincoln Center Orchestra: Masters of the Jazzy Sesame Street Song
The magic behind this album lies in the incredible talent of the Jazz at Lincoln Center Orchestra with Wynton Marsalis. This renowned ensemble, featuring top musicians like Sherman Irby, Ted Nash, Victor Goines, and many others, brings unparalleled expertise and passion to these Sesame Street songs. Their arrangements and performances elevate these familiar tunes to new artistic heights, demonstrating the versatility and sophistication of jazz music. Wynton Marsalis, as music director, ensures that the album is not only a fun and engaging listen but also a high-quality jazz experience.
Production Excellence
Recorded at Jazz at Lincoln Center’s Frederick P. Rose Hall in October 2019, this album boasts exceptional sound quality. The production team, including recording engineers Rob Macomber and James P. Nichols, mixing engineer Todd Whitelock, and mastering engineer Mark Wilder, ensured that every nuance of the performances was captured beautifully. From the crispness of the horns to the warmth of the rhythm section, the sonic details contribute to the overall enjoyment of this unique Sesame Street song collection.
This album is more than just a children’s record; it’s a delightful fusion of childhood nostalgia and sophisticated jazz artistry. It’s an opportunity to rediscover beloved Sesame Street songs in a fresh and exciting way, proving that these tunes are truly timeless and can be enjoyed by audiences of all ages and musical tastes. Whether you’re a longtime fan of Sesame Street, a jazz enthusiast, or simply looking for uplifting and well-crafted music, this jazzy Sesame Street songbook is sure to bring a smile to your face and a tap to your feet.
