Released as hip-hop was breaking into the mainstream in America, 1984’s ‘Beat Street’ remains a landmark film that captured the energy of the burgeoning culture. More than just a movie, ‘Beat Street’ threw a spotlight on the three pillars of hip-hop: breakdancing, DJing, and graffiti art. Set against the vibrant backdrop of the South Bronx, New York, the film immersed audiences in the lives of two brothers and their friends navigating the exhilarating world of early hip-hop.
While ‘Beat Street’ might not be hailed as a cinematic masterpiece due to its somewhat predictable plot and occasional cheesy humor, its significance is undeniable. Featuring authentic performances from pioneering figures of hip-hop’s first wave, the film has become essential viewing for anyone serious about understanding the genre’s roots.
In this edition of “Then and Now,” streetsounds.net revisits iconic hip-hop films, starting with ‘Beat Street,’ to explore what the cast members have been doing since their breakthrough roles. Let’s delve into the journeys of the ‘Beat Street’ cast.
Rae Dawn Chong as Tracy Carlson
Then: In ‘Beat Street,’ Rae Dawn Chong embodied Tracy Carlson, a driven college music student captivated by the dynamic b-boy scene and the burgeoning hip-hop movement. Tracy’s character served as a bridge, connecting the academic world with the raw creativity exploding on the streets.
Now: Coming from a celebrated comedic lineage as the daughter of Tommy Chong of ‘Cheech and Chong,’ Rae Dawn Chong has carved out a successful and diverse acting career. Post-‘Beat Street,’ she broadened her filmography with roles in blockbuster hits like ‘Commando,’ critically acclaimed dramas such as ‘The Color Purple,’ and action thrillers like ‘The Principal.’ Beyond these notable films, Chong has continued to work consistently in both film and television, showcasing her versatility as an actress. While a 2013 radio interview sparked controversy due to comments about Oprah Winfrey, Chong issued an apology and moved forward, continuing her acting pursuits. Her enduring presence in Hollywood speaks to her talent and resilience.
Guy Davis as Kenny “Double K” Kirkland
Then: Guy Davis brought to life Kenny “Double K” Kirkland, an ambitious and passionate aspiring DJ in ‘Beat Street.’ “Double K” represented the DJing element of hip-hop culture, showcasing the skills and artistry behind the turntables. His on-screen romance with Rae Dawn Chong’s character, Tracy, added a compelling emotional layer to the film.
Now: A true New Yorker, Guy Davis has expertly balanced a career in acting with his deep-rooted passion for music since ‘Beat Street’’s release. Following in the footsteps of his esteemed acting parents, Ruby Dee and Ossie Davis, Guy has graced both stage and screen with memorable performances. However, he has also established himself as a highly respected blues guitarist and musician. With an impressive discography boasting over 15 albums, Guy Davis has garnered critical acclaim in the blues world. His dedication to preserving and performing blues music has solidified his reputation as a significant figure in contemporary blues. Explore his musical journey further at his official website.
Jon Chardiet as Ramon “Ramo”
Then: Jon Chardiet took on the role of Ramon, known as “Ramo,” in ‘Beat Street,’ a graffiti artist deeply embedded in the burgeoning street art scene of New York City. Ramon’s storyline in ‘Beat Street’ tragically depicted the dangers faced by graffiti artists, culminating in his death in a subway tunnel after a confrontation with a rival. This narrative thread offered a glimpse into the real-world risks associated with graffiti culture at the time.
Now: While “Ramo” met a tragic end on screen, Jon Chardiet’s career took a creative turn into children’s literature. Becoming a prolific author, Chardiet has penned over 20 children’s books, showcasing his storytelling talents in a different medium. He has also continued to act, with a more recent appearance in the 2013 thriller ‘Borderlands,’ demonstrating his continued presence in the acting world. His diverse creative pursuits highlight his adaptability and artistic range beyond his role in ‘Beat Street.’
Franc Reyes as Luis
Then: Franc Reyes portrayed Luis in ‘Beat Street,’ a member of Ramon’s graffiti crew and part of the close-knit circle of friends in the South Bronx. As Luis, Reyes contributed to the film’s portrayal of graffiti art as a vital form of expression within hip-hop culture.
Now: The Nuyorican actor and dancer, Franc Reyes, transitioned his creative energies behind the camera in the years following ‘Beat Street.’ He successfully shifted his focus to directing, making a name for himself in gritty crime thrillers. Reyes directed films like ‘Empire’ and ‘The Ministers,’ showcasing his talent for intense and urban narratives. Interestingly, before his directorial career took off, Reyes also spent time as a songwriter, further illustrating his multifaceted artistic background. His journey from actor and dancer to director highlights a dynamic career evolution.
Kool Moe Dee as Himself
Then: Hip-hop icon Kool Moe Dee, along with Treacherous Three and Doug E. Fresh, made a memorable cameo in ‘Beat Street,’ performing the now-classic track ‘Xmas Rap.’ This performance solidified the film’s authenticity and its connection to the real hip-hop scene.
Now: Born Mohandas Dewese, Kool Moe Dee cemented his place in hip-hop history as the first rapper to grace the Grammy Awards stage. As one of hip-hop’s pioneering stars, he delivered chart-topping hits like ‘How Ya Like Me Now’ and ‘Wild Wild West.’ Beyond his successful music career, Kool Moe Dee has also ventured into acting, including a surprising appearance in Britney Spears’ 2002 film ‘Crossroads.’ Despite this unexpected film credit, his status as a hip-hop OG remains firmly intact. His enduring career and contributions to rap music continue to inspire.
Crazy Legs as Himself
Then: The legendary breakdancer Crazy Legs showcased his incredible moves in a pivotal breaking battle scene in ‘Beat Street.’ His appearance brought genuine breakdancing authenticity to the film, captivating audiences with the raw energy of the dance form.
Now: Richard “Crazy Legs” Colón is more than just a dancer; he is a cultural ambassador for breakdancing and hip-hop. As the president of the Rock Steady Crew, an immensely influential dance collective founded in 1977, Crazy Legs has dedicated his life to promoting and preserving breakdancing. His contributions were officially recognized in 2003 when New York City Mayor Michael Bloomberg declared July 26th “Rock Steady Crew Day” in New York City. Crazy Legs’ ongoing work ensures that breakdancing continues to thrive as a global art form.
Brenda K. Starr as Herself
Then: Brenda K. Starr’s performance of ‘Vicious Beat’ in ‘Beat Street’ was a pivotal moment in her early career. A chance encounter with Harry Belafonte, one of the film’s producers, led to her being featured in the movie, providing her with significant exposure.
Now: Shortly after ‘Beat Street,’ Brenda K. Starr signed a record deal, launching her successful music career. Her debut single, ‘Pickin’ Up the Pieces,’ became a major dance hit in 1985. Interestingly, a young Mariah Carey worked as a backup singer for Starr during this period, highlighting connections within the music industry. Starr achieved further success in pop with ‘I Still Believe’ and freestyle with ‘What You See Is What You Get.’ Later in her career, she transitioned to the Latin market, achieving new heights as a renowned salsa diva, demonstrating her versatility and lasting appeal.
Afrika Bambaataa as Himself
Then: Hip-hop pioneer Afrika Bambaataa and the Soul Sonic Force delivered an electrifying performance at the iconic Roxy club in Manhattan for ‘Beat Street.’ This scene captured the energy of the early hip-hop club scene and Bambaataa’s influential presence within it.
Now: Afrika Bambaataa is recognized as a true innovator in hip-hop, even being named one of Life magazine’s “Most Important Americans of the 20th Century” in 1990. Beyond his musical achievements, he is currently serving a three-year appointment as a visiting scholar at Cornell University. This academic role highlights his influence and expertise in hip-hop culture, extending his impact beyond music into education and academia.
Grandmaster Melle Mel as Himself
Then: Grandmaster Melle Mel & the Furious Five provided a powerful finale to ‘Beat Street’ with their explosive performance of ‘Beat Street Breakdown,’ the film’s theme song. This performance became synonymous with the movie and further cemented Melle Mel’s status in hip-hop.
Now: Considered the first rapper to call himself an “MC,” Grandmaster Melle Mel continues to tour globally, keeping the spirit of old-school hip-hop alive. He also recently appeared in Ice-T’s acclaimed documentary, ‘Something from Nothing: The Art of Rap,’ further solidifying his legacy and ongoing relevance in the rap world. His enduring career and contributions to hip-hop continue to be celebrated.
Stan Lathan – Director of ‘Beat Street’
Then: Stan Lathan brought his established directorial talent to ‘Beat Street’ after directing classic television shows like ‘Sanford and Son,’ ‘Miami Vice,’ and ‘Hill Street Blues.’ His collaboration with producer Harry Belafonte brought a seasoned perspective to the hip-hop film.
Now: Post-‘Beat Street,’ Stan Lathan continued his prolific career in directing and expanded his influence as a producer. Teaming up with Russell Simmons, Lathan co-created the groundbreaking ‘Def Comedy Jam’ series in the early 90s and ‘Def Jam Poetry’ in 2002. These series played a crucial role in mainstreaming hip-hop culture and launching numerous comedy and spoken word careers. Still influential behind the scenes, Lathan’s family legacy also extends to acting through his daughter, actress Sanaa Lathan (‘The Best Man,’ ‘Brown Sugar’). His enduring impact on both television and film is undeniable.
